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How to Read this Web Log
In addition to the sections on 20th century mythologies and the visual iconography, this site contains -- woven into its diverse exploration of art, language, science, and history -- two loosely connected stories.

The first, Lycosa and Her Sister, is a journey of discovery in which we travel deep into the natures of the modern and the ancient world as seen through the eyes of the writer and his occasional young lover, Amanita, a women whose view of the cosmos is truly the twenty-first century.

The second, Tales from the Lighthouse of Tuprefolle, takes us into the far, far future where Alvius, the last sentient being on Earth, is still trying to solve a profoundly strange murder mystery that is five hundred thousand years old. Through Alvius' eyes we go back a half million years in history to an earth a few hundred years before the last humans suddenly disappeared.

The reader must be an archeologist of themes - these are stories that must be discovered and pieced together. While the entries are not linked in any explicit chronological order, the stories can best be understood (and hopefully enjoyed) by reading the posts in order -- from the oldest to the most recent.

Constructive comments (both positive and negative) are always welcome and I invite a robust and healthy discussion.

The Reason for this Web Log

WHEN I WAS YOUNGER, immortal, and limitless in my ambitions, I dreamt that nothing was impossible. In our own world of boundless ideas, we wanted to be all things to all people and all things to ourselves: lovers, explorers, idle romancers, linguists, and, perhaps, compatriots of the best minds in Western Civilization whose singular voice, echoing out of the poets and historians of our twelfth grade curriculum, reminded us that the world is strange, beautiful, and unexplored.

And didn't we want to be earth movers and discovers of new principles, and expositors of here-to-fore unrecognized truths, so like Archimedes we might say, "Give me a place to stand and I will move the world"?

About Me
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EARL COX In this world of concrete objects and reliable causality, I am a classical philologist with a keen interest in the evolution of early urban metaphors in Homeric Greek; since 1972, the founder and president of three software companies specializing in the application of machine intelligence (such as fuzzy logic and genetic algorithms) to a wide spectrum of optimization problems and behavior models; a columnist for technology magazines, and the author of several books (including the multiple-award winning Beyond Humanity – Cyberevolution and Future Minds which I co-authored with Greg Paul, who was the dinosaur advisor on the original Jurassic Park movie). In addition to an upcoming murder mystery, I am also working on a book, Vanishing Landscapes, a photographic journey through the rapidly disappearing farms and towns on Maryland's eastern shore (due out next fall). And I have just recently begun work on The Ghosts of the Mother Lode a photographic book of the gold and silver ghost towns in Nevada, Arizona, and eastern California (due out when I have spent my advance!).

My Photographic Portfolio
You can learn a bit more about me and also view my growing collection of photographs at:

earlcox.smugmug.com

A few of the galleries are password protected, but nearly all are open to general view.

See also the Visual Lexicon section in this web log. Here you will find both old photographs from my life but also a repository of miscellaneous sketches.
A R C H I V E S

The contents of each web log section is stored in reverse chronological order by month. You can also use the SEARCH capability to locate specific entries or to find a set of entries that share a common theme, concept, or term.

Lighthouse of Tuprefolle
Lycosa and Her Sister
Mythologies of the 20th Century
Comments on an Ordinary World
Word Play
Fragments of Ongoing Stories

Uncertain and Poorly Written Narratives

These are postings or stories that I don't necessarily want to delete but, on the other hand, they are, in my opinion, not particularly well written, not very interesting, not especially reflective of my world view, not well structured or well crafted or well put together grammatically or semiotically. If you navigate into this section I suggest you navigate back out right away -- I am not responsible for your reaction to these entries!

 


 

 

Friday
10Apr2009

Pondering the Idealized Woman of My Dreams

 

Continuing
in the same
4-dimensional
spatio-temporal
locus

Continuing
my frenetic
connectivity
with intense,
energy absorbing,
transient metabolic
phenomena

Continuing
a cognitive
mapping of
your genomorphic
and intrinsic
behavioral
properties

Intensifying
the continuation
of the mapping of
your genomorphic
and intrinsic
behavioral
properties

Reflecting
on self-imposed
but mutually
established
inter-personal
avoidance
semiotics

Idealizing
a concrete
point in
a future
time when
I can
compose
an extended
textual
message

Positioning
that meso-erotic
idealization
of your form
in time
in time
in time

Sunday
22Mar2009

So Amanita Might Control the Tides

 

Here, my dear, I have revealed the secret algorithm that the ancients used to predict the coming of ordinary tides and the strength of solar flares. There has been some discussion among paleo-algebraists about whether or not we should treat the second harmonic wavelet expression (ro-43rt4pfdkc) as a transcendental version of the Taylor series or as a simple mistake in the Babylonian scribe language’s incomplete use of active vowels. I will leave the final interpretation in your hands, just be aware that a mistake in applying the Fitzgerald tensors will bring daylight savings time to an abrupt halt in the early hours of the coming Sabbath.

Tuesday
23Sep2008

Antigone Reinterpreted

 

 

"gadzarts?" he say.
"nupe. Dovel um Lorved. Enna!" she tumble.
"bah?" he spoke it.
Stand she did in rain drops of sky falling,
Down not under. "Plotze," thumb up, "ordebba eh."
An gedzarts are not gadzarts,
"you note dat? Better yet," they bark
My Greek chorus gone to dogs;
First to notice, made stable in the thought,
But she filled it with the electric water
Drop and drop, till sky be clear,
"Embo larsa Ghremo!!" she yell.
"Ogurt," he tell.
"Nevob. Tu Nevob," she fabricate.
"you see grown humans dance under luna light," they squeal.
"Rhapson," she farked, "morgen rhap, mullen rhap," she tingled,
Turning port side to touch his frenkle and drop her shielding,
Young legs naked in candle light. He gawked.
"trembo, deavaon plukket en ur gadzartz," he whisper.
"bak oph," she beseech.
Closer he came by day.
"Oh praise the eyes of Elektra," they harmonize,
My Greek chorus float like house flies,
Their dea ex machina out for rent,
"Neb! Neb!" she cry.
"Ofled," he wimper.
Night fall.
Curtain pulled.
Cast amiss.
Gun to head,
Writer expires
"unloved like Orestes," they moan,
Like Euripides they make note
Light out
Door locked
Finis.

 

 

Commentary:


This little narrative was my attempt to comment on the difficulty in translating dense writers like Euripides, whose chorus, written in the formal stage-Greek of the fifth century BCE, was hard for even his contemporaries to understand. But you will note that Antigone Reinterpreted moves from chaos to a more structured and comprehensible ending where Euripides, the writer, kills himself (a reference, of course, to Aristophanes’ The Frogs, where we have Aeschylus and a recently dead Euripides arguing, in Hades, about who is the best Greek playwright).

Oh, by the way, I know that Antigone was written by Sophocles, not Euripides!!! But that title came into my head and I just couldn’t shake it. So, figuring that the vast majority of readers couldn’t name any ancient Greek plays let along know who is the correct author of Antigone, I let it stand.

 

More Commentary:


I should mention that Euripides actually did write a play called Antigone, but it has been lost. I suspect it had a happier ending than the one by Sophocles (stating this is almost a tautology -- Sophocles never wrote a happy ending to anything. Hence we have Sophocles in Mathew Arnold's Dover Beach standing on the cliffs watching the ebb and flow of the dark, gloomy Aegean.)

Wednesday
13Aug2008

A Descendent of the Archaeopteryx


Known to glow in the dark when exposed to the full moon, this rare Polaroid photograph
taken on a cloudless night in the San Gabriel Mountains by the last of the film photographers
in southern California, shows a Quaqualux in its male phase preening its aboriginal feathers.


 
Few native California fauna have engendered as much discussion among dinotherapod observers as the Quaqualux, a remote terrestrial descendent of the ancient Archaeopteryx line, once thought extinct since the middle of the pleo-Jurassic age but now known simply to have gone in hiding after the tribulations of the last ice age where homo Neanderthalis hunted it throughout its range finding the proto-aveboid easy pickings among the roaming herds of Ural mastodons where it not only nested but lived a quiet symbiotic life picking and eating the larvae of the scorpion-like parasites that infested the thick wooly coats of these huge lumbering beasts. Today, in the desolate cycad forests east of Pasadena and south of Burbank, a no-man’s land of scrub ferns, abandoned cell phone towers, and dwarf palms, the Quaqualux is making a come-back, living among the packs of motorcycle gangs and their nefarious dirt bikes, feeding off the clouds of lice and skin mites that swarm around these hygiene deficient adventurists and breeding in the saddle bags of unsuspecting Harley cowboys. Noting that these exceptionally rare creatures are the last living relatives of the great dinosaurs of the Mesozoic, the California Department of the Interior has put a thousand dollar bounty on them, dead or alive (preferably dead, so the posters say) fearing that, if left to the ineluctable forces of evolution, they will eventually shed their vestigial feathers and become fierce packs of neo-velociraptors, terrorizing late fifty-ninth century camp grounds and leaving the super-critical historians of that period with nothing better to do but blame the park services of past millennia for their failure to stop the onward march of natural selection while they had the chance.

 
This snippet of cryptozoological science is part of my mission to bring the undeniable truths of science and history to the average citizen as well as our uninvited guests, the aliens from Blesso IV who arrived here forty three years ago from the star system of alpha Centauri and who, as we all know, are slowly and patiently taking over the civilized world in their clever disguise as ordinary metal coat hangers.


Quaqualux drawing (c)2008 Earl Cox

Sunday
18May2008

The Demolished Lighthouse

1865%20CHAMP%20DES%20MARS%20PARIS.jpg
The ruins of Nevohym.

 

 

The evidence of partial rebuilding places this sometime around 15,900 AUC. Note in the background, the unfinisded Operculum for agents of the Visitor. The original was destroyed (as was everything in a sixteen hundred kilometer radius) so this Operculum must have been started before any attempt to rebuild was abandoned.

Sitting on the southern edge of the North American continental shelf, Nevohym was the site of the ninth great telescope. The telescope (and the entire city) was destroyed by Vykoon Agegistes, grandson of Camoon the First Separator, during the third wave of the insurrectionists. The huge and immediate loss of human life (including Vykoon and Lyserl, chief of his traveling mistresses) when the base of the telescope was breached and the quantum field exposed made this the first and the last telescope ever attacked during all the long years of the conflict.

The war of the division spread across the cities of the world. And the forces of native humanity and the machines confronted each other according to the custom of the city and the fear of the people. Some say the war, once started, radiated out from Tuprefolle in decreasing strength, leaving the estuary and tidal cities in ruins, leaving the old European cities sundered along machine and organic lines, and plunging the southern Mediterranean basin into five centuries of chaos and isolation. Yet oddly enough, in the very cities where the war began, in Alcebedes and Rhodeza and Argonefta, the rumbles of war passed on, and life continued, machines and dwindling humans, wary yet secure, once more lived and worked together.